Legends of Cairo (The Secret of the Dagger, also the First Chronicle) follows three strangers whom a relic drives from Boston in late 1928 into Egypt, seeking the Blue Crown — the Khepresh of Akhenaten.

TypeChronicle
Era1928–1929
Spanish entryLeyendas del Cairo

Narrator

Teddy Bennet, a Boston Globe journalist, wrote it with a new pen; his Egyptian one stayed on a bronze scale beneath the desert. His notebook survived quicksand, black water and a bone-white crocodile.

Plot

I — The Secret of the Dagger. Boston, 10 a.m., 23 November 1928, after three days of rain: the estate of the late Dr. Von Petersdorf, a discredited Egyptologist who died in unexplained circumstances, is auctioned. The prize is the Dagger of Thoth (meteoric iron, ibis hilt). Mobster George Vita seizes it at gunpoint; Irti deflects the gun; Teddy, trying to tie his shoelaces, earns a broken nose and the giant’s respect. Camille Colbert steals the real dagger and punctures the getaway car’s tire; Vita flees with a forgery and crashes. The narrative opens in medias res a day later, with Teddy tied to a chair in the Hotel Brunswick, questioned by a woman of silhouette and smoke. The monk Brutus Alcusi slips him the card of a Cairo hermetic institute. The dagger points to Egypt.

II — Shadows in Cairo. Mid-December, from Shepheard’s Hotel to Morand’s penthouse. Professor Monteverdi reveals the dagger is a magnetic compass pointing to the Blue Crown. Electrician Bruno Paoli spies on them; the Staufenberg Brothers ambush them, knocking Irti out; they fall captive to diplomat Paul Morand, who strokes a pet crocodile and keeps Mata Hari’s head in a jar. Teddy’s master lie, that Lady Carter already has the dagger, gets them onto Morand’s expedition south.

III — The Red Desert. At Ashmunain the Egyptian workers tell Irti that Gunther Roeder’s Germans brought bars and chains to seal the tomb, not dig it. Camille seduces archaeologist Victoria Stark; the dagger, floated in a basin, points northwest. At dawn Victoria blows up the supplies, Teddy knocks out the spy barman Gasparini, and the trio flees into the Red Desert. Past quicksand stands a stela of Akhenaten guarded by Bedouin riders; their leader sees Siwa blood in Irti. To avert a massacre, Camille stands on Teddy as a human footstool and raises the dagger under the red moon in Nefertiti’s pose; the guardians bow, the dagger enters the carved child, and the door opens.

IV — The Judgment of Thoth. Night of 21–22 December: twenty-three panels of an archer pharaoh, a vault with the world’s first horoscope, a staircase-turned-slide into black water. The Ammit, biomechanical hybrids, maul Irti’s leg; he kills the albino crocodile with a crowbar. On the scale of Maat Teddy lays his pen, confesses he lied only once and believes in God, and is found worthy. The beasts become bronze statues; the ceiling turns and rights the war chariot with the Blue Crown. Camille dons it, ties the reins to her waist and bursts to the surface, where Bedouins and Germans go to war. Camille, spy turned queen of war, rides off; Irti returns the dagger to his people; Teddy, without pen or glasses, leaves with the story. Months later, in the United States, Hans knocks on Teddy’s door, lips stained with Camille’s red.