Ariadna is a being of the first noon of Uchronic Paris, redeemed from an infernal essence, beloved of the Templar antipaladin Ärsvan; her redemption marks the end of the gesta of the Templars.
| Type | Character (redeemed spirit) |
| World | Uchronic Paris |
| Other names | Genoveva, Bebona |
| Spanish entry | Ariadna (Templarios) |
Not to be confused with Ariadna of the Postmodern Pantheon.
Description
She dances in a labyrinth of accelerated times, driven by the grace of Being and Non-Being. She is described as the absolute woman, redeemed, sensual and bestial in aspect, and in love with Ärsvan. The thread bearing her name serves as guide, or as a noose, for whoever is willing to die for love.
Appearances
- The Cathedral of Paris.
- The labyrinth of Ur-Draxa (Alpha & Omega Garden); the Doors of the Labyrinth.
- The embrace of Being and Non-Being.
- Fallen, in the Pit of the Descent: a woman in a red cape with a scythe and an aura of fire, named with three names — Ariadna, Genoveva, Bebona — as if her redeemed identity had fragmented into layers. Those who descend disarm her of her black wick (nigredo). There Ärsvan, who had obliterated himself for her before the Cathedral, is called by name and meets her again among the damned (see The Destruction of Notre-Dame).
Gallery
