Pulpería de la Viña is a large tavern-inn (pulpería) in the flags quarter of the port of Santa María de Torregrises, one of the city’s few neutral inns. It is run by the Viña, a flag chief.

TypePlace (inn, tavern, gambling den, shrine)
ProprietorThe Viña
Spanish entryPulpería de la Viña

The proprietor

The flags quarter is ruled by flag people (gente de bandera). The Viña, “a big woman who looks very tense”, is a flag patroness and chief and a recent widow. Her nickname comes from her marriage to Farrucho, who abandoned her. She took charge of a son, a mulatto pianist who opens the orchestra of the Teatro La Victoria. Cartagena favored her on coming to power; with Carmín’s rise six, seven or eight years later, she became a flag chief.

The house

  • Upstairs: an inn and tavern open to all, serving juicio oscuro (“dark judgment”) in a horn.
  • Basement: the former tavern, a known cavern where illegal card games are often held.
  • The Viña’s room: full of santería objects — boxes of small bones, herbs — with bordeaux-draped walls and a syncretic altar (Virgin Mary, Virgin of Carmen, saints, candles, black cardboard). Incense covers something half-rotten in a jar; the ritual work is continuous.

The Viña brings her dream consultations to Muriel Umutessi, who worked with her there.

Neutrality and its violation

Flag politics are not settled there; the neutrality rests on the patroness and her altar, not on law. The Mazorca broke it: “they did not kill her but they just gave her a shove in her own establishment”. Later a Mazorca squad was massacred there. The house was wrecked and reopened.

Open questions

  • The Viña’s real name, the building’s layout and the jar’s contents are not recorded.
  • Whether the “Muriel healer” is Muriel Umutessi, and whether the pianist is the son she took in, is unresolved.
  • What juicio oscuro is, and what a “flag” is as an institution (political, armed or both), is unexplained.
  • The order of the shove, the massacre and the reopening is disputed, as is who wrecked the house.
  • Whether the “cavern” is literal or figurative is disputed.